The 1874 Musical
By J. Cheever Goodwin
"Evangeline” premiered in 1874 and holds a unique place in the history of American theater. This work is often credited as one of the first American musicals, blending elements of operetta, comedy, and drama. Its creation marked a significant departure from the predominantly European-influenced theatrical productions of the time, establishing a foundation for the distinctly American musical theater tradition that would flourish in the 20th century.
The story of "Evangeline" is loosely based on Henry Wadsworth Longfellow's 1847 epic poem, "Evangeline: A Tale of Acadie." Longfellow's poem tells the tale of an Acadian girl named Evangeline who embarks on a long, arduous journey to reunite with her lover, Gabriel, after they are separated during the Great Expulsion of the Acadians from Nova Scotia. Goodwin's adaptation, however, infuses the narrative with humor and musical elements, transforming it into a light-hearted comedy that appealed to a broader audience.
One of the most notable aspects of "Evangeline" is its innovative use of music. Goodwin collaborated with composer Edward E. Rice, who provided a score that incorporated a variety of musical styles, including operatic arias, popular tunes, and original compositions. This eclectic mix helped to set the stage for the development of the modern musical, where diverse musical genres could coexist within a single production. The music in "Evangeline" played a crucial role in advancing the plot and developing characters, a technique that would become a hallmark of future musicals.
"Evangeline" not only entertained audiences of its time but also influenced the trajectory of musical theater, making it a seminal work in the canon of American performing arts.
ISBN 978-1515147664
$14.95
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